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Confessions Of A Chameleon

In an increasingly fantastic monologue, the artist takes us into a past filled with a woman s myriad personae, from a battered and abused child, through life as a sometime call girl, socialite, art collector, battered wife. Her descriptions of switching from one to another of these incarnations are visually developed though creative use of digitalized footage, screen-splitting, distortional effects and image fracturing. Of this multiplicity, which if any, of these images are we to believe?